PhD in Art Studies, teacher of Music Theory and Music Paleography Courses
In 1996, she graduated from the Faculty of Composition and Musicology of the Vano Sarajishvili Tbilisi State Conservatory.
In 2004, she defended his dissertation on the topic: “Neumic writing and the system of neumirs in the Georgian practice of worship (on the example of manuscripts of the 10th-11th and 18th centuries)” and was awarded the degree of Candidate of Arts.
In 1996-2005, she was a researcher-collaborator in the direction of music theory of the State Conservatory named after Vano Sarajishvili in Tbilisi, in 2000-2005 she was a teacher in the same direction; Since 2005, she has been an associate professor of music theory at Vano Sarajishvili Tbilisi State Conservatory; In 2005-2008, she worked as a coordinator of the educational-scientific department of the State Conservatory named after Vano Sarajishvili in Tbilisi; In 2010-2014, she was the learned secretary of the Dissertation Council of Vano Sarajishvili Tbilisi State Conservatory.
2. Some opinions about Georgian embellished singing, problems of religious and secular polyphony, Tbilisi, 2001;
3. Reports of the First International Symposium on Traditional Polyphony, Tbilisi, 2003.
4.К вопросу о правление христинаской симоковски в грузинской невменной нотации, issues of history, theory and aesthetics of sacred music, volume II, Yerevan, 2005;
5. Амвроси Некресели, Big Musical Encyclopedia, Vol. I, Moscow, 2005;
6. Andriadze Manana, Big Musical Encyclopedia, Vol. I, Moscow, 2005;
7. Ancient musical writing, “Literature and Art” magazine, No. 4, Tbilisi, 2006;
8. Ambros from Nekres – complete singer, Gaz. “Georgian Chant”, No. 5, Tbilisi, 2007;
9. Georgian pneumatic system, “Georgian Chant”, No. 9, Tbilisi, 2007;
10. In full, Catholicos-Patriarch of Georgia His Holiness and Blessed Ilia II and Georgian church hymns (co-authors: M. Andriadze, M. Sukhiashvili), “Literature and Art” magazine, No. 12, Tbilisi, 2007;
11. Ambrosi Nekreseli and his importance in the history of the Georgian pneumatic system, “Logos” magazine, IV, Tbilisi, 2007;
12. Закономерности кадансовых графических формул в грузинской невменной системе, ancient music – modern vision, edition 88, part 2, Kyiv, 2009;
13. For the issue of the origin of the Georgian nematic system, Byzantinology in Georgia-2, Book II, Tbilisi, 2009;
14. Dimitri (ditto) for the study of the unmired manuscript of Chalaganidze (co-author M. Sukhiashvili), Byzantinology in Georgia-3, book II, Tbilisi, 2011;
15. Issues of the Georgian nervous system in the works of Otar Chijavadze, issues of musicology, collection of scientific works, Otar Chijavadze 90, Tbilisi, 2011;
16. Reports of the Fifth International Symposium on Traditional Polyphony, Tbilisi, 2012;
17. Karbelashvili (co-author M. Sukhiashvili), Православная энциклопедия, vol. XXXI, Moscow, 2013;
18. Georgian Hymnody (co-author M. Sukhiashvili), Canterbury Hymnographic Dictionary, 2013.
19. International conferences:
20. The first international symposium of traditional polyphony, Tbilisi, 2002;
21. The second international symposium: “Christianity in our life: past, present, future”, Tbilisi, 2005;
22. International conference dedicated to the 170th anniversary of deacon Ioane Voznesensky “Traditions of church singing: problems of source knowledge and textology”, Kyiv, 2008;
23. Byzantinology in Georgia-3, Akhaltsikhe, 2009;
24. 4th International Festival of Folklore and Sacred Music, Batumi, 2009;
25. Fifth International Symposium on Traditional Polyphony, Tbilisi, 2010;
26. The Third International Conference of the American Society of Byzantine Music and Hymnography, Athens, 2011;
27. The General Principles of Georgian Neumatic Notation, Medieval and Renaissance Music Conference, University of Birmingham, England, 2014.